Fifty-two
Nalan’s eyes are full of things, but his tongue is full of love. This is just a person from the Northern Song Dynasty who has not been infected with the Han culture since he first entered China.
Fifty-three
Lu Fangweng’s postscript means that the poems of the five dynasties in the Tang and Song Dynasties are more humble and lean on the simple, ancient and lovely. It is also necessary to refute that you can still lift 70 kilograms, 100 kilograms, and 50 kilograms, and you will get rid of it. 1 It’s very difficult to distinguish between words, but the predicate will be easy to believe in poetry, and Chen Lie said that the Song people don’t know poetry, but they are strong, so in the end, Song Shishi’s poems are full of joys and sorrows, and resentment can’t be suppressed.
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One of the most important parts of the Siku Library is the lyrics and songs, and the second is that the poems of the Tang Dynasty and the Five Dynasties are more humble and lean on the simple and lovely, but they can’t be pushed easily, and they don’t know that their physique is high and low, and their physical strength is insufficient. Their physical strength is insufficient, and their physical strength is insufficient. The poems of the middle and late Tang Dynasties are not enough, but the good words are reduced to the poems of the late Tang Dynasty. Therefore, the poems of the five seasons are not unique. If you can lift 70 kilograms, lift 50 kilograms, you can’t transport them.
Preface of Chen Long Wang Jieren’s Poems The Song people don’t know poetry, but they are strong in it. Their poems are also wordless, so the Song people are also indifferent to it. Therefore, whenever their happiness, sorrow and resentment are aroused in the middle but they can’t be restrained from the rest of the poem, they can make their own work, but they can cover their thoughts in the future, and they must read it shallowly. If they meet in the eyes and ears for a long time, they will be interested in it, but they will be hard to understand it, and if they practice it, they will be tired, and the words will be round and dense It is difficult to sing in a low voice when you are full of subtlety, but it is also difficult for the Song people to focus on things. If you touch the scenery, you will be enlightened. Although you talk about elegance and feel that it can’t be abandoned, you will have a good path.
fifty-four
Four words are poor, Chu Ci is poor, five words are poor, seven words are poor, and ancient poems are poor, but the style of ci Gai has been popular for a long time, so it is difficult for many sets of heroes to get their hands on new ideas, so they can escape from other bodies. All styles flourish and decline because of this, but it is solid and easy to say that they are integrated.
fifty-five
There are 300 poems and 19 words in the Five Dynasties and the Northern Song Dynasty. They are all topics, and the meaning of the poems can’t be exhausted. Every time the Hua ‘an Caotang sets up a topic and the ancients inscribe it, it is also a beautiful landscape. That is to say, a certain mountain and a river can depend on the topic of the poem, but the topic of the poem is dead, but the words are dead. However, Chinese scholars rarely know this and pull it out.
fifty-six
Everyone’s feelings will be refreshing, and their scenery will be refreshing, and they will blurt out their words and correct their makeup, and their opinions and poems will be profound. This balance can be a big mistake in ancient and modern times
fifty-seven
It’s more than half way to say that people can give a poem without embellishing words.
fifty
The song of everlasting regret is strong and colorful, but Xiaoyu’s words are only four, and Meicun’s songs are not official. 1 The advantages and disadvantages of Bai Wu are not unique, but the lyricist must also know.
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1 Bai Juyi’s everlasting regret song, and asked a girl, called Morsel-of-Jade, to tell The Doubly- Perfect’s official story, and Wu Weiye’s round song, start with Dinghu’s official story.
fifty-nine
In modern poetry, the quatrains of five or seven words are the most respected, and the second order of rhythm is the most covered. This style is almost the same as that of rhyme and ear words. If the quatrains are long, it is similar to rhythm, and if the words are long, it will be close to rhythm.
sixty
The poet’s life in the universe must be in and out of it, so he can write about it, so he can observe it, so he is angry about it, so he never dreamed of it.
sixty-one
Poets will despise foreign things, so they can command romantic life and attach importance to foreign things, so they can share joys and sorrows.
Sixty-two
In the past, it was difficult for a slut to walk alone without a bed. It was difficult to be alone. 1. It was impossible to be complacent. It was necessary to be poor for a long time. It was hard to be bitter. You Ran regarded obscene words as true, but so did the great poets in the Northern Song Dynasty in the Five Dynasties. However, he felt that they were kind and moving, but he felt that his energy was full. He knew that obscene words were not obscene, but he swam. If he was ill, he would not think about the room, but he was far away from thinking. 4.
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1 Nineteen Ancient Poems The Second Green River Grass Yuyu Garden Liu Yingying Lou Female Jiao Jiao Dang Chuang E E Red Powder Makeup Xiansu Hand Yesterday Advocating Family Women Today Sluts Can’t Walk Alone According to Selected Works Volume 29
Nineteen Ancient Poems The Fourth Today’s Good Banquet is hard to enjoy. Playing the zither is exciting and escaping, making Germany sing high words and knowing songs, listening to its truth. Qi Xin has the same wish and meaning, but he has not applied for a lifetime election. If the dust is soaring, he will not be able to be ambitious. According to the selected works, Volume 29.
After the selection of Jin Yingxuan’s ci, the order and scale of things depend on singing, dancing, mourning and music, and they are indifferent, sighing and sighing. The meaning of the chapter is nothing more than the feeling of flowers and birds. The reward should be elegant but not glamorous, and the chapter is called a wandering word
On the contrary, don’t you think that the room is far away and say that you are far away without thinking
Sixty-three
The withered vine, the old tree, the faint crow, the small bridge, the horizontal sand, the ancient road, the west wind, the thin horse and the setting sun, the heartbroken man at the end of the world, and the poem "Tianjingsha" are also few words, which won the Tang Dynasty’s quatrains and wonderful scenery.
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According to this song, it can be seen in the new volume of Yuefu in Yuan Dynasty, in the middle of Yuan Dynasty, in Zhou Deqing, in the phonological freeze, in Jiang Zhongshu, in the outer volume of Yaoshan Hall, in the sixty issue, in Zhang Lu’s Ci-poetry, in Lin’s collection of gorgeous words, in his collection of poems, in Sheng Zishu’s collection of poems, in the old collection of talks, and in Pingsha, people were all in attendance at the Tang Dynasty, and the quotations of Song and Yuan operas were the same.
Sixty-four
Bai Renfu’s autumn night Wutong rain drama is solemn and stirring, and the Yuanqu is crowned with heavenly words. It is not enough for Jiaxuan slaves to create easy work, but it is difficult to restrain people skillfully. Can you also read Ou Qin’s poems?